Black comedy or dark comedy is a comic style that makes light of subject matter that is generally considered taboo. Some comedians use it as a tool for exploring vulgar issues, thus provoking discomfort and serious thought as well as amusement in their audience. Popular themes of the genre include violence (murder, abuse, domestic violence, rape, torture, war, genocide, terrorism, corruption), discrimination (chauvinism, racism, sexism, homophobia, transphobia), disease (anxiety, depression, suicide, nightmares, drug abuse, mutilation, disability, terminal illness, insanity), sexuality (sodomy, homosexuality, incest, infidelity, fornication), religion and barbarism.
Black comedy differs from blue comedy which focuses more on crude topics such as nudity, sex, and bodily fluids. Although the two are interrelated, black comedy is also different from straightforward obscenity in that it is more subtle and does not necessarily have the explicit intention of offending people. In obscene humor, much of the humorous element comes from shock and revulsion, while black comedy might include an element of irony, or even fatalism. For example, the archetypal black comedy self-mutilation appears in the English novel Tristram Shandy. Tristram, five years old at the time, starts to urinate out of an open window for lack of a chamber pot. The sash falls and circumcises him; his family reacts with both chaotic action and philosophic digression.
Literary critics have associated black comedy and black humor with authors as early as the ancient Greeks with Aristophanes. Black comedy corresponds to the earlier concept of gallows humor.
The term black humor (from the French humour noir) was coined by the Surrealist theorist André Breton in 1935 while interpreting the writings of Jonathan Swift. Breton's preference was to identify some of Swift's writings as a subgenre of comedy and satire in which laughter arises from cynicism and skepticism, often relying on topics such as death. Scholars have associated black humor with authors as early as the ancient Greeks with Aristophanes.
Breton coined the term for his book Anthology of Black Humor (Anthologie de l'humour noir), in which he credited Jonathan Swift as the originator of black humor and gallows humor, and included excerpts from 45 other writers. Breton included both examples in which the wit arises from a victim with which the audience empathizes, as is more typical in the tradition of gallows humor, and examples in which the comedy is used to mock the victim. This victim's suffering is trivialized, which leads to sympathizing with the victimizer, as analogously found in the social commentary and social criticism of the writings of Sade. Black humor is also occasionally related to that of the grotesque genre.
Breton identified Swift as the originator of black humor and gallows humor, particularly in his pieces Directions to Servants (1731), A Modest Proposal (1729), A Meditation Upon a Broom-Stick (1710), and a few aphorisms.
The term black comedy or dark comedy have been later derived as alternatives to Breton's term. In black humor, topics and events that are usually regarded as taboo are treated in an unusually humorous or satirical manner while retaining their seriousness; the intent of black comedy, therefore, is often for the audience to experience both laughter and discomfort, sometimes simultaneously.
Bruce Jay Friedman, in his anthology entitled Black Humor, imported the concept of black comedy to the United States. He labeled many different authors and works with the idea, arguing that they shared the same literary genre. The Friedman label came to prominence in the 1950s and 1960s. Early American writers who employed black humor were Nathanael West and Vladimir Nabokov. In 1965, a mass-market paperback titled Black Humor was released. It contained work by a variety of authors, which included J.P. Donleavy,Edward Albee,Joseph Heller,Thomas Pynchon,John Barth,Vladimir Nabokov,Bruce Jay Friedman himself, and Louis-Ferdinand Celine. This was one of the first American anthologies devoted to the conception of black humor as a literary genre; the publication also sparked nationwide interest in black humor. Among the writers labeled as black humorists by journalists and literary critics are Roald Dahl,Thomas Pynchon,Kurt Vonnegut,Warren Zevon, John Barth,Joseph Heller, and Philip Roth. The motive for applying the label black humorist to all the writers cited above is that they have written novels, poems, stories, plays, and songs in which profound or horrific events were portrayed in a comic manner. Comedians, like Lenny Bruce, that since the late 1950s have been labeled for using "sick comedy" by mainstream journalists, have also been labeled with "black comedy".
The term was part of the language before Freud wrote an essay on it--'gallows humor.' This is middle European humor, a response to hopeless situations. It's what a man says faced with a perfectly hopeless situation and he still manages to say something funny. Freud gives examples: A man being led out to be hanged at dawn says, 'Well, the day is certainly starting well.' It's generally called Jewish humor in this country. Actually it's humor from the peasants' revolt, the forty years' war, and from the Napoleonic wars. It's small people being pushed this way and that way, enormous armies and plagues and so forth, and still hanging on in the face of hopelessness. Jewish jokes are middle European jokes and the black humorists are gallows humorists, as they try to be funny in the face of situations which they see as just horrible.
At least, Swift's text is preserved, and so is a prefactory note by the French writer André Breton, which emphasizes Swift's importance as the originator of black humor, of laughter that arises from cynicism and scepticism.
When it comes to black humor, everything designates him as the true initiator. In fact, it is impossible to coordinate the fugitive traces of this kind of humor before him, not even in Heraclitus and the Cynics or in the works of Elizabethan dramatic poets. [...] historically justify his being presented as the first black humorist. Contrary to what Voltaire might have said, Swift was in no sense a "perfected Rabelais." He shared to the smallest possible degree Rabelais's taste for innocent, heavy-handed jokes and his constant drunken good humor. [...] a man who grasped things by reason and never by feeling, and who enclosed himself in skepticism; [...] Swift can rightfully be considered the inventor of "savage" or "gallows" humor.