A 21st century artist's imagination of Kalidasa
|Period||c. 4th-5th century CE|
|Genre||Sanskrit drama, Classical literature|
|Subject||Epic poetry, Puranas|
|Notable works||Abhijñ?nakuntalam, Raghuvaa, Meghad?ta, Vikram?rvayam, Kum?rasambhava|
K?lid?sa was a Classical Sanskrit writer, widely regarded as the greatest poet and dramatist in the Sanskrit language of India. His plays and poetry are primarily based on the Vedas, the Mahabharata and the Puranas.
Much about his life is unknown, only what can be inferred from his poetry and plays. His works cannot be dated with precision, but they were most likely authored within the 4th-5th century CE.
Scholars have speculated that Kalidasa may have lived near the Himalayas, in the vicinity of Ujjain, and in Kalinga. This hypothesis is based on Kalidasa's detailed description of the Himalayas in his Kum?rasambhava, the display of his love for Ujjain in Meghad?ta, and his highly eulogistic descriptions of Kalingan emperor Hem?ngada in Raghuvaa (sixth sarga).
Lakshmi Dhar Kalla (1891-1953), a Sanskrit scholar and a Kashmiri Pandit, wrote a book titled The birth-place of Kalidasa (1926), which tries to trace the birthplace of Kalidasa based on his writings. He concluded that Kalidasa was born in Kashmir, but moved southwards, and sought the patronage of local rulers to prosper. The evidence cited by him from Kalidasa's writings includes:
According to folklore, once a scholarly princess decided to find a suitable groom by testing men in her kingdom for their intelligence. When no man could pass the test, the frustrated citizens decided to send Kalidasa, an unintelligent man, for an interview with the princess. Kalidasa fared poorly, and was greatly humiliated by the princess. Challenged by the princess, he visited a Kali temple, and was inspired to learn Sanskrit; he studied the Puranas and other ancient texts, and become a great poet. He then wrote three epics starting with the words of his insult: " ? ?"[clarification needed].
Several ancient and medieval books state that Kalidasa was a court poet of a king named Vikramaditya . A legendary king named Vikram?ditya is said to have ruled from Ujjain around 1st century BCE. A section of scholars believe that this legendary Vikramaditya is not a historical figure at all. There are other kings who ruled from Ujjain and adopted the title Vikramaditya, the most notable ones being Chandragupta II (r. 380 CE - 415 CE) and Yasodharman (6th century CE).
The most popular theory is that Kalidasa flourished during the reign of Chandragupta II, and therefore lived around 4th-5th century CE. Several Western scholars have supported this theory, since the days of William Jones and A. B. Keith. Many Indian scholars, such as Vasudev Vishnu Mirashi and Ram Gupta, also place Kalidasa in this period. According to this theory, his career might have extended to the reign of Kumaragupta I (r. 414 - 455 CE), and possibly, to that of Skandagupta (r. 455 - 467 CE).
The earliest paleographical evidence of Kalidasa is found in a Sanskrit inscription dated c. 473 CE, found at Mandsaur's Sun temple, with some verses that appear to imitate Meghaduta Purva, 66; and the Ritusamhara V, 2-3, although Kalidasa is not named. His name, along with that of the poet Bharavi, is also mentioned in a stone inscription dated 634 C.E. found at Aihole, located in present-day Karnataka.
Some scholars, including M. Srinivasachariar and T. S. Narayana Sastri, believe that all the works attributed to "Kalidasa" are not by a single person. According to Srinivasachariar, writers from 8th and 9th centuries hint at the existence of three noted literary figures that share the name Kalidasa. These writers include Devendra (author of Kavi-Kalpa-Lata), Rajashekhara and Abhinanda. Sastri lists the works of these three Kalidasas as follows:
Sastri goes on to mention six other literary figures known by the name "Kalidasa": Parimala Kalidasa alias Padmagupta (author of Navasahasanka Charita), Kalidasa alias Yamakakavi (author of Nalodaya), Nava Kalidasa (author of Champu Bhagavata), Akbariya Kalidasa (author of several samasyas or riddles), Kalidasa VIII (author of Lambodara Prahasana), and Abhinava Kalidasa alias Madhava (author of Sankshepa-Sankara-Vijayam).
According to K. Krishnamoorthy, "Vikramaditya" and "Kalidasa" were used as common nouns to describe any patron king and any court poet respectively.
K?lid?sa wrote three plays. Among them, Abhijñ?nakuntalam ("Of Shakuntala recognised by a token") is generally regarded as a masterpiece. It was among the first Sanskrit works to be translated into English, and has since been translated into many languages.
K?lid?sa also wrote two khandakavyas (minor poems):
Montgomery Schuyler, Jr. published a bibliography of the editions and translations of the drama Shakuntala while preparing his work "Bibliography of the Sanskrit Drama".[N 2] Schuyler later completed his bibliography series of the dramatic works of K?lid?sa by compiling bibliographies of the editions and translations of Vikramorvaç? and M?lavik?gnimitra. Sir William Jones published English translation of Sakuntala in 1791 C.E. and Rtusamhara was published by him in original text during 1792 C.E.
Many scholars have written commentaries on the works of K?lid?sa. Among the most studied commentaries are those by Kol?chala Mallin?tha Suri, which were written in the 15th century during the reign of the Vijayanagar king, Deva R?ya II. The earliest surviving commentaries appear to be those of the 10th-century Kashmirian scholar Vallabhadeva. Eminent Sanskrit poets like Babhaa, Jayadeva and Rajasekhara have lavished praise on K?lid?sa in their tributes. A well-known Sanskrit verse ("Upam? K?lid?sasya...") praises his skill at upam?, or similes. Anandavardhana, a highly revered critic, considered K?lid?sa to be one of the greatest Sanskrit poets ever. Of the hundreds of pre-modern Sanskrit commentaries on K?lid?sa's works, only a fraction have been contemporarily published. Such commentaries show signs of K?lid?sa's poetry being changed from its original state through centuries of manual copying, and possibly through competing oral traditions which ran alongside the written tradition.
K?lid?sa's Abhijñ?nakuntalam was one of the first works of Indian literature to become known in Europe. It was first translated to English and then from English to German, where it was received with wonder and fascination by a group of eminent poets, which included Herder and Goethe.
Willst du die Blüthe des frühen, die Früchte des späteren Jahres,
Willst du, was reizt und entzückt, willst du was sättigt und nährt,
Willst du den Himmel, die Erde, mit Einem Namen begreifen;
Nenn' ich, Sakuntala, Dich, und so ist Alles gesagt.-- Goethe
Wouldst thou the young year's blossoms and the fruits of its decline
And all by which the soul is charmed, enraptured, feasted, fed,
Wouldst thou the earth and heaven itself in one sole name combine?
I name thee, O Sakuntala! and all at once is said.-- translation by E. B. Eastwick
"Here the poet seems to be in the height of his talent in representation of the natural order, of the finest mode of life, of the purest moral endeavor, of the most worthy sovereign, and of the most sober divine meditation; still he remains in such a manner the lord and master of his creation."-- Goethe, quoted in Winternitz
K?lid?sa's work continued to evoke inspiration among the artistic circles of Europe during the late 19th century and early 20th century, as evidenced by Camille Claudel's sculpture Shakuntala.
The Kannada films Mahakavi Kalidasa (1955), featuring Honnappa Bagavatar, B. Sarojadevi and later Kaviratna Kalidasa (1983), featuring Rajkumar and Jayaprada, were based on the life of K?lid?sa. Kaviratna Kalidasa also used K?lid?sa's Shakuntala as a sub-plot in the movie.V. Shantaram made the Hindi movie Stree (1961) based on K?lid?sa's Shakuntala. R.R. Chandran made the Tamil movie Mahakavi Kalidas (1966) based on K?lid?sa's life. Chevalier Nadigar Thilagam Sivaji Ganesan played the part of the poet himself. Mahakavi Kalidasu (Telugu, 1960) featuring Akkineni Nageswara Rao was similarly based on K?lid?sa's life and work.
Surendra Verma's Hindi play Athavan Sarga, published in 1976, is based on the legend that K?lid?sa could not complete his epic Kum?rasambhava because he was cursed by the goddess Parvati, for obscene descriptions of her conjugal life with Lord Shiva in the eighth canto. The play depicts K?lid?sa as a court poet of Chandragupta who faces a trial on the insistence of a priest and some other moralists of his time.
Asti Kashchid Vagarthiyam is a five-act Sanskrit play written by Krishna Kumar in 1984. The story is a variation of the popular legend that K?lid?sa was mentally challenged at one time and that his wife was responsible for his transformation. K?lid?s?, a mentally challenged shepherd, is married to Vidyottam?, a learned princess, through a conspiracy. On discovering that she has been tricked, Vidyottam? banishes K?lid?sa, asking him to acquire scholarship and fame if he desires to continue their relationship. She further stipulates that on his return he will have to answer the question, Asti Kashchid V?garthah" ("Is there anything special in expression?"), to her satisfaction. In due course, K?lid?sa attains knowledge and fame as a poet. K?lid?sa begins Kum?rsambhava, Raghuvaa and Meghaduta with the words Asti ("there is"), Kashchit ("something") and V?garthah ("spoken word and its meaning").
Bishnupada Bhattacharya's "Kalidas o Robindronath" is a comparative study of Kalidasa and the Bengali poet Rabindranath Tagore.
Ashadh Ka Ek Din is a play based on fictionalized elements of Kalidasa life.
Kalidasa has had great influence on several Sanskrit works, on all Indian literature.[full ][clarification needed] He also had a great impact on Rabindranath Tagore. The Meghadutam's romanticism is found in Tagore's poems on the monsoons. Sanskrit plays by Kalidasa influenced late eighteenth and early nineteenth-century European literature. According to Dale Carnegie, Father of Modern Medicine Sir William Osler always kept on his desk a poem written by Kalidasa.[full ]