|Location||Baltimore, Maryland, United States|
|Campus||Urban, 1.5 miles (2.4 km)|
|Colors||Green & Brown (more recently)|
Maryland Institute College of Art (MICA) is an art and design college in Baltimore, Maryland. It was founded in 1826 as the "Maryland Institute for the Promotion of the Mechanic Arts", making it one of the oldest art colleges in the United States.
In 2014, MICA was ranked seventh in the nation among fine arts programs by U.S. News and World Report, and its Graphic Design Master of Fine Arts program was ranked third among graduate schools for Graphic Design in 2012.
MICA is a member of the Association of Independent Colleges of Art and Design (AICAD), a consortium of 36 leading US art schools, as well as the National Association of Schools of Art and Design (NASAD).
MICA hosts pre-college, post-baccalaureate, continuing studies, Master of Fine Arts and Bachelor of Fine Arts programs, as well as young peoples' studio art classes.
The Maryland Institute for the Promotion of the Mechanic Arts was established in November 1825, by prominent citizens of Baltimore, such as Fielding Lucas, Jr. (founder of Lucas Brothers - office supply company), John H. B. Latrobe (lawyer, artist, author, civic leader), Hezekiah Niles (founder of national newspaper Niles Weekly Register) and Thomas Kelso. Other leaders and officers in that first decade were William Stewart (president), George Warner and Fielding Lucas, Jr. (vice presidents), John Mowton (recording secretary), Dr. William Howard (corresponding secretary), as well as James H. Clarke and D.P. McCoy (managers), Solomon Etting (local merchant/political leader), Benjamin C. Howard, William Hubbard, William Meeter, William Roney, William F. Small, S.D. Walker, John D. Craig, Jacob Deems, William H. Freeman, Moses Hand, William Krebs, Robert Cary Long, Jr. (architect), Peter Leary, James Mosher, Henry Payson (founder of First Unitarian Church), P. K. Stapleton, James Sykes and P. B. Williams. The General Assembly of Maryland incorporated the Institute in 1826, and starting in November of that year (Tuesday, November 7, 1826), exhibitions of articles of American manufacture were held in the "Concert Hall" on South Charles Street. A course of lectures on subjects connected with the mechanic arts was inaugurated, and a library of works on mechanics and the sciences was begun.
The school operated for a decade at "The Athenaeum" (the first of two structures to bear that name, a landmark for educational, social, cultural, civic and political affairs) at the southwest corner of East Lexington and St. Paul Streets facing the second Baltimore City/County Courthouse between North Calvert and St. Paul Streets. This first Athenaeum was destroyed by fire on February 7, 1835 along with all of its property and records. The fire was caused by a bank riot due to the financial panic following the collapse of several Baltimore banks.
In November 1847, Benjamin S. Benson and sixty-nine others (including many of the original founders of the former Institute), issued a call for a meeting of those favorable to the formation of a mechanics' institute, which resulted in the reopening of the Institute on January 12, 1848.
The first annual exhibition was held at "Washington Hall" in October 1848, followed by two more. The 1948 officers were John A. Rodgers - president, Adam Denmead - first vice president, James Milholland - second vice president, John B. Easter - recording secretary, and Samuel Boyd - treasurer. The Institute was reincorporated by the state legislature at their December session in 1849 and was endowed by an annual appropriation from the State of Maryland of five hundred dollars. In 1849, the Board of Managers extended the usefulness and broadened the appeal of its programs to ordinary citizens by opening a School of Design and an additional Night School of Design was extended two years later in the new hall and building, under William Minifie (from the Faculty of the old Central High School of Baltimore) as principal of the reorganized Institute. Classes resumed in rented space over the downtown Baltimore branch of the U.S. Post Office Department in the "Merchants Exchange".
The City Council in 1850 passed an ordinance granting the Institute permission to erect a new building over a reconstructed "Centre Market", laying the cornerstone on March 13, 1851, with John H. B. Latrobe, and son of national architect Benjamin Henry Latrobe, (1764-1820).
In 1851, the Institute moved to its own building, built above the old Centre Market on Market Place (formerly Harrison Street) between East Baltimore Street (to the north) and Water Street (to the south) alongside the western shore of the Jones Falls. Centre Market continued to be known in the city as "Marsh Market" after the former Harrison's Marsh from colonial times. The building covered an entire block and had two stories built on a series of brick arches above the market, with two clock towers at each end. The second floor with the Institute, housed classrooms, offices, shops and studios and one of the largest assembly halls/auditorium in the state.
During this period the Institute added a School of Chemistry, thanks in part to a bequest from philanthropist George Peabody, (1795-1869), (for which the Peabody Institute and George Peabody Library is named) and B.& O. Railroad President Thomas Swann, along with a School of Music. Night classes for Design are added for men who work during the day, but would like training in Architecture and Engineering at night. In 1854, a Day School of Design opened for women--one of the first US arts programs for women. In 1860, the Day School for men opened, and in 1870, the Day school became co-ed.
For 79 years the Institute remained in the location above the Centre Market, and its "Great Hall", large enough to accommodate 6,000, attracted many famous speakers and lecturers. It hosted events and shows related to the Arts, and as one of Baltimore's largest halls, it hosted important events to the city and the region. In 1852, it hosted both of the National political conventions to nominate presidential candidates Winfield Scott and his opponent Franklin Pierce (who was later elected 14th President of the United States).
During the American Civil War, the Institute served briefly as an armory for the Union and a hospital for soldiers wounded at the Battle of Antietam. On April 18, 1864, President Abraham Lincoln gave his famous speech known as the "Baltimore Address" (or "Liberty Speech") during a "Sanitary Fair" held in the Great Hall to benefit Union soldiers and families.
On February 7-8, 1904, the Centre Market and the Maryland Institute burned down along with 1,500 other buildings in downtown Baltimore during the Great Baltimore Fire. Temporarily, classes moved to spaces above other covered municipal markets in the city, while construction begins in two locations. Michael Jenkins donated the future site of the "Main Building" on Mount Royal Avenue near the new Bolton Hill neighborhood in the northwest, which opened in 1908. It was to house the School of Art and Design, and the City of Baltimore offered the old site and funding to rebuild the Centre Market as a location for the Drafting school and "mechanical arts".
Upon opening, the Main building had spaces for pottery, metal working, wood carving, free-hand drafting and textile design, as well as a library, galleries and exhibition rooms. The galleries and exhibition rooms were important, because at the time of construction, Baltimore had no public art museum (institutions such as the Walters Art Gallery were not founded and opened for regular public viewing until 1909 and acquired by the city in 1934, and the Baltimore Museum of Art, in 1914).
In 1923, the Institute's galleries hosted the first known public showing of Henri Matisse's work in the United States, brought from Europe by sisters Claribel and Etta Cone. In 1928, the new Centre Market building, now known as "The Market Place" building, offered a course in Aeronautics theory and drafting following the great excitement and increase in interest in the industry following Charles Lindbergh's flight over the Atlantic Ocean to Paris.
The Institute legally changed its name to the "Maryland Institute, College of Art" in 1959, and the "Market Place Building" was razed to make room for the extension south of the Jones Falls Expressway (Interstate 83). The consolidation of MICA to the Mount Royal campus was furthered by the purchase of the Mount Royal Station, a former Baltimore and Ohio Railroad (B&O) train station, in 1964. In 1968, MICA was forced to close due to the Baltimore riot of 1968 that followed the assassination of Martin Luther King, Jr.
From 1972-1975, MICA was graced with the presence of artists and critics of the period, including composer John Cage, poet Allen Ginsberg, photographer Walker Evans, master printer Kenneth E. Tyler, painter Elaine de Kooning and art critic Clement Greenberg.
In the following years, MICA expanded along Mount Royal Avenue, adding the "Fox Building" in 1978, the "College Center" (now the "Art Tech Center") in 1986, a renovation of the "Main Building" in 1990, "The Commons" (added 1992), "Bunting Center" (1998), the "Meyerhoff House" (2002), the "Brown Center" (2003), the "Studio Center" (2007) and "The Gateway" (2008). During that time, the College focused on increased interaction with the international art world--offering study abroad programs and residences in numerous countries around the world.
MICA's campus is a melange of diverse buildings from different periods of Baltimore's development.
The Main Building houses painting and drawing studios, undergraduate photography department, foundation department, two departmental galleries, undergraduate admissions and the President's Office.
Construction began on a new campus in Bolton Hill when its Centre Market building was destroyed. Construction was completed in 1908. The State of Maryland, the Carnegie Foundation, and local benefactors contributed funds to build it. Michael Jenkins donated the land, stipulating that the new building not clash with the nearby Gothic Revival Corpus Christi Church. The Main Building was the first to be designed by New York-based architects Pell & Corbett, who were awarded the contract when they won a $500 design contest sponsored by the New York Association of Independent Architects. Otto Fuchs designed the interior studio plans. The architecture was intended to evoke a feeling of the Grand Canal of Venice, c. 1400. The exterior marble is carved from "Beaver Dam" marble, excavated from the Baltimore County quarry near Cockeysville, Maryland. It is the same marble used to build the Washington Monument in Baltimore designed by Robert Mills, and part of the Washington Monument in Washington, D.C..
Architectural features include the main entrance, offering a large marble staircase, stained-glass skylight and the names of Renaissance masters surrounding the entrance to the second floor. The exterior of the northeast façade features four stone memorial medallions: one for the city, one for the state and two others honoring Institute benefactors Andrew Carnegie and Michael Jenkins. Throughout the Main Building plaster replicas of Greek and Roman statues offer students study targets for their Foundation year.
In 1908, the New York Association of Independent Architects awarded the building a gold key, the highest award in architecture at the time.
From 1990-1992, the building underwent a $5.1 million renovation under the direction of the Grieves, Worrell, Wright & O'Hatnick, Inc architectural firm. The renovation upgraded the building's facilities and created additional academic and office space while retaining much of the original design and décor.
Mount Royal Station
The former B&O station, now the Maryland Institute College of Art, in 2009
|Location||1400 Cathedral Street, Baltimore, Maryland|
|Architect||Baldwin, E. Francis; Pennington, Josias|
|NRHP reference #||73002191|
|Added to NRHP||June 18, 1973|
|Designated NHL||December 8, 1976|
The Mount Royal Station houses the undergraduate departments of fiber and interdisciplinary sculpture, 3-D classrooms, and the Rinehart School of Sculpture, as well as senior studios. The railroad tracks underneath the train shed remain active as CSX Transportation's freight mainline to New York City
Built in 1896, the Mount Royal Station (now known as The Station Building) was the Baltimore and Ohio Railroad's showcase passenger station until it ceased operations in 1961. MICA purchased the building in 1964 and renovated it in 1966 under the direction of architect Richard Donkervoet, retaining as much of the building's exterior and interior as possible, including vaulted ceilings, columns and mosaic floor. Architectural Forum recognized the Mount Royal Station renovation for "sensitivity by later architects to the initial conception", and Margaret Mead, in a lecture given at the Station, commented that the renovation "is perhaps the most magnificent example in the Western World of something being made into something else".
On December 8, 1976, the Station was added to the register of National Historic Landmarks, granting it full protection as an historic site. The Mount Royal Station's train shed, one of the country's last remaining such structures, was renovated in 1985. In 1992, the AIA's Baltimore chapter honored the Maryland Institute and architects Cochran, Stevenson & Donkervoet with a 25 Year Award for Excellence in Design of Enduring Significance for their adaptive reuse of the Mount Royal Station.
Between 2005-2007, MICA accomplished a two-phased, $6.3 million renovation by the architectural firm Grieves, Worrall, Wright & O'Hatnick, Inc. The first phase, the interior, was completed in 2005: interior finishes, such as the mosaic tile flooring, marble columns, tin ceilings, wood wainscot and trim were cleaned and restored. Classroom and studio space were increased. The second phase, the exterior and train shed, was completed in 2007: stonework and wood were cleaned, repaired, and repainted, the slate canopy restored and the drainage system fixed; clerestory and structural timbers in the train shed were replaced and the steel roof framing was reinforced. In keeping with the pedestrian landscaping and streetscape that MICA has created along Mount Royal Avenue, a new plaza with benches, bike racks, shrubs and ornamental grasses and ground cover was added.
The Dolphin Building at 100 Dolphin Street housed MICA's Printmaking department and Book Arts and Printmaking concentrations, as well as the independent Dolphin Press. It had 15,000 square feet (1,400 m2) of working space divided into three floors. The building housed lithography and intaglio / etching studios on the first floor, screenprinting, and letterpress studios with photo printmaking facilities on the second floor, and a papermaking studio, lecture/computer lab and Senior studios on the third floor.
In 2016, MICA demolished the Dolphin Building in preparation of a five story/25,000 square feet structure. The building reopened in September of 2017, and is now home to the Interactive Arts, Game Design, Product Design, and Architectural Design departments.
Bunting Center houses Liberal Arts departments (art history and language, literature, and culture), the campus Writing Center, academic advising and the registrar. Bunting Center also houses a restaurant, Java Corner. The first floor and basement level house the Decker Library, which includes a collection of over 600 art books in its Special Collections area. Students are allowed to view any Special Collections item by requesting it from library staff. The library also includes an oversized Folio section and a wide collection of video and film materials, including DVD and BluRay. It hosts display cases for monthly exhibits, a private Screening Room for viewing films and holding meetings, and a classroom for instruction. Bunting Center contains the Pinkard Gallery and Student Space Gallery.
The acquisition and renovation of Bunting Center increased MICA's academic space by 20% when it opened in 1998. It was named for trustee George Bunting, who was also instrumental in the development of the Fox Building, among other projects.
The Bunting Center received the Grand Design Award and Honor Award from AIA Baltimore in 1998. In 2007, architect Steve Ziger headed the building's $5.5 million renovation, seeking to create "a real sense of neighborhood" for the college.
The Firehouse hosts the College's operations and facilities management department. The building has 7,224 square feet (671.1 m2) of space.
MICA purchased a historic Firehouse along North Avenue in 2001 and renovated the building in 2003. As part of the redevelopment agreement, MICA maintained the station's front façade in accordance with Commission for Historical and Architectural Preservation standards. The renovation architect was Cho Benn Holback + Associates, Inc. Kajima Construction Services was the contractor. The Firehouse won an award from the Baltimore Heritage Foundation for preservation in 2004.
The building houses Decker Gallery, Café Doris, Meyerhoff Gallery, the Center for Art Education, the Division of Continuing Studies, as well as Ceramics, Illustration, Environmental Design, GFA, Drawing and Painting departments, the woodshop, and the nature library. The Fox Building offers more than 60,000 square feet (5,600 m2) of usable space.
Built in 1915 as the Cannon Shoe Factory, the Fox Building was purchased in 1976. After two years of planning by architects Ayers/Saint/Gross, work began in 1979 and the newly renovated building opened in 1980. This renovation retained most of the warehouse character of the building, including exposed ductwork and framing and the original exterior--The renovations cost $2.5 million, and the building was named for architect Charles J. Fox, a 1965 graduate of MICA whose family contributed over $1.5 million of the renovation cost. After the conversion, the Mount Royal Improvement Association granted MICA an Award of Merit for its contribution to the community.
In 2005, a second renovation added another gallery and cafe.
The 120,000-square-foot (11,000 m2) building houses the post-baccalaureate certificate program, Hoffberger School of Painting, The Mount Royal School of Art, the Graduate Photographic and Electronic Media program, and Senior student studios. Although the official name is The Studio Center, many students know it as The Bank Building.
MICA purchased the former Jos. A. Bank sewing plant on North Avenue in August 2000. The all brick building dates to the early 20th century and was home to Morgan Millwork for most of the century.
The Brown Center houses MICA's digital art and design programs, as well as the 525-seat Falvey Hall, which, in addition to hosting school-related functions, has also played host to events like the Maryland Film Festival and National Portfolio Day. It houses the Video, Animation, and BFA and MFA Graphic Design departments. It also has an art gallery, a secondary hall for lectures ("Brown 320"), and a "Black-Box" area for Interactive Media installations.
The first newly constructed academic building for the College in nearly a hundred years, Brown Center was dedicated on October 17, 2003 and became fully operational in January 2004. It was bolstered by a $6 million gift from Eddie and Sylvia Brown, the largest gift ever received by the Institute. The building was designed by architect Charles Brickbauer and Ziger/Snead.
The 61,410-square-foot (5,705 m2), five-story contemporary structure garnered acclaim as an architectural landmark. Awards have included the AIABaltimore 2004 Grand Design Award, AIA Maryland 2004 Honor Award of Excellence, regional award of merit in 2004 in the International Illumination Design Award competition, and several awards for excellence in construction. In addition, MICA President Fred Lazarus traveled to Italy in June 2006 to receive the Dedalo Minosse International Prize for Brown Center. Brown Center was the only American project among the finalists.
Additional buildings making up MICA's campus include the Maryland Institute College of Art shop (known simply as "The MICA Store") at 1200 Mount Royal Avenue, selling art supplies and books, and official MICA merchandise.
The Art Tech Center at 1206-1208 Mount Royal Avenue has facilities for large-format printing (up to 44" x ?"), laser-cutting and 3D printing. Additionally, it houses the Tech Desk, for students to rent out technology like digital cameras, projectors and computers.
Other facilities include the Jewelry Center at Meadow Mill, Kramer House, Main Building Annex (administrative offices and alumni relations), and The Center for Design Practice and Dolphin Press & Print @ MICA archives at 1210 Mount Royal Ave.
The Meyerhoff and The Gateway buildings increased MICA student housing 90% between 2002 and 2009, allowing more students to stay on campus.
The Commons is a three-building, four-story student apartment complex. Among the first student residences to be constructed on the apartment-living model, it houses approximately 350 students.
It was MICA's first official student housing facility. When MICA proposed purchasing a lot on McMechen Street that had been vacant for more than 30 years to build the Commons, the Bolton Hill neighborhood approved the purchase and donated $50,000. Built in 1991, inside the Commons is MICA's largest green space and above the Gatehouse is an area for Student Organization meetings.
In 2000, American School and University included The Commons in its Architectural Portfolio awards, citing Mahan Rykiel Associates for their Landscape Architecture work on the project. The Maryland/Potomac Chapters of the American Society of Landscape Architects also gave the project an award.
Meyerhoff House is a residence for Sophomore, Junior and Senior students. The building includes the College's main dining facility, student life center and recreational amenities. Originally built as the Hospital for the Women of Maryland, the building was used as nursing home for some time until it closed in 1994. The building was vacant for 7 years until MICA purchased it in January 2001.
The Gateway includes apartments to accommodate 217 student residents, a translucent studio tower, a multi-use performance space, the College's largest student exhibition gallery, and a new home for the Joseph Meyerhoff Center for Career Development. The Gateway is located at the intersection of Mount Royal and North avenues, alongside the Jones Falls Expressway (I-83).
Construction began on The Gateway in October 2006 and completed in August 2008. It was designed by RTKL Associates Inc., In August 2008, the first students moved into the Gateway.
Approximately 1,850 undergraduate students and 250 graduate students hail across the US and foreign countries. The student body is 66% female, 34% male, 22% minorities and international students and 97% traditional college-age. Sixty-five percent of MICA students receive some form of financial aid. Among the most selective art colleges in the United States, MICA has consistently enrolled more Presidential Scholars in the Visual Arts than any other college or university, and approximately 2/3 of those who received Scholastic Arts' Gold Portfolio award. In 11 of the last 14 years, a MICA student has won the National Student Art Achievement Award, which is given by the National Art Education Association for outstanding studio achievement in candidates for teaching.
MICA's approximately 10,000 alumni live in 58 countries and won international awards, attended graduate programs, exhibited in galleries and museums, and are represented in public and private collections across the globe. 86% of B.F.A. graduates who take jobs immediately after graduation are working in art related fields; 23% of MICA's B.F.A. graduates pursue graduate study immediately after graduation.
From 2009-2017, 14 MICA graduates received Fulbright awards for study abroad and five students earned the Jacob Javits Fellowship for graduate study. Since 2003, two alumni have received the national Jack Kent Cooke Foundation Graduate Scholarship and three Jack Kent Cooke Foundation scholars chose to study at MICA. Additionally, four alumni were awarded Elizabeth Greenshields Foundation Grants.
Graduate programs (MFA)
Graduate programs (MA)
Graduate programs (MPS)
Undergraduate students may also add a studio concentration and a liberal arts/humanities minor, if they so elect:
Dual degree and 5th year capstone graduate programs