|23rd Jain Tirthankara|
Image of T?rthankara Parshvanatha (Victoria and Albert Museum, 6th-7th Century)
|Height||9 cubits (13.5 feet)|
|Born||c. 9th-7th century
|Died||c. 8th-7th century
Parshvanatha (P?r?van?tha), also known as Parshva (P?r?va), was the 23rd of 24 Tirthankaras (ford-maker, teacher) of Jainism. He is the earliest Jain Tirthankara who is generally acknowledged as a historical figure. His biography is uncertain, with Jain sources placing him between the 9th and 8th century BC, and historians stating he may have lived in 8th or 7th century BC. Along with Mahavira, Rishabhanatha and Neminatha, Parshvanatha is one of the four Tirthankaras who attracts the most devotional worship among the Jains. His iconography is notable for the serpent hood over his head, and his worship often includes Dharanendra and Padmavati - the serpent god and goddess of Jainism.
Parshvanatha is said in Jain texts to have been born in Benares (Varanasi, India), renounced the worldly life and founded an ascetic community. He is credited with starting the tradition of "fourfold restraint" for monks - don't kill, don't steal, don't lie and don't own property. Svetambara texts, such as section 2.15 of Acaranga Sutra, state that Mahavira's parents were followers of Parshvanatha, linking Mahavira to a pre-existing theology and as a reformer of pre-existing Jain mendicant tradition. Mahavira expanded the scope of Parshvanatha's first four restraints, with his ideas on Ahimsa (non-violence) and added the fifth monastic vow of celibacy in the practice of asceticism. Parshvanatha, in contrast, according to them, had not required celibacy, and had allowed the wearing of simple outer garments by monks. The differences between the ideas of Parshvanatha and Mahavira, have been one of the many historic foundations behind the disputes between the two major Jain sub-traditions - Svetambaras and Digambaras. The Digambara sect disagrees with the Svetambara interpretations, and they reject the theory of difference in Parshvanatha and Mahavira's teachings.
Parshvanatha's popularity among Jains is widespread, according to Paul Dundas - a professor of Sanskrit known for his publications on Jainism. Parshva is popularly seen as a ford-maker who removes obstacles and has the capacity to save. Parshvanatha died on Mount Sammeta (Madhuban, Jharkhand) along the River Ganges basin, a place that has been an important pilgrimage site for all sub-traditions within Jainism.
Parshvanatha is generally accepted as a historical figure. According to Dundas, the Jain texts such as the section 31 of Isibhasiyam, provide circumstantial evidence that he was a real person in ancient India. Historians such as H. Jacobi have accepted him as a historical figure, because his Chaturyama Dharma (four vows) is mentioned in the Buddhist scriptures.
Despite the accepted historicity, some parts of historical claims such as the link between him and Mahavira, whether Mahavira renounced within the ascetic tradition previously started by Parshvanatha, and other biographical details have led to varying scholarly conclusions. He is claimed in Jain texts to have been 13.5 feet tall.
His biography is legendary, with Jain texts stating that he preceded Mahavira by about 250 years and that he lived one hundred years. Mahavira is placed between c. 599 - c. 527 BC in the Jain tradition, and accordingly Parshva is placed by Jains between c. 872 - c. 772 BC. According to Dundas, outside of the Jain tradition, historians date the Mahavira as about contemporaneous with the Buddha in the 5th-century BC, and accordingly the historical Parshva, based on the c. 250-year gap, is placed in 8th or 7th century BC.
Doubts about his historicity are supported by the most ancient Jain texts, which predominantly present Mahavira with sporadic mention of ancient ascetics and teachers without specific names, such as in sections 1.4.1 and 1.6.3 of the Acaranga Sutra. The earliest layer of Jaina literature on cosmology and "Universal History" pivots around only two Jinas, the Adinatha (Rishabhanatha) and Mahavira. In the later layer of Jaina literature, stories about Parshvanatha and Neminatha Tirthankaras appear in texts, with the Kalpasutras being the first known text. However, these Jaina texts present the biographies of Tirthankaras with unusual non-human body dimensions, the characters lack individuality or depth, and the brief descriptions of three Tirthankara are largely modeled after Mahavira. The Kalpasutras is the most ancient known Jain text with the entire list of twenty-four, but it merely lists twenty, and for three including Parshvanatha the description is very brief in comparison to Mahavira. The early archeological findings such as the statues and reliefs found near Mathura, lack the iconography such as the lion or serpent emblem, possibly because these ideas evolved in Jainism later.
Parshvanatha was born on the tenth day of the dark half of the month of Paush to King Asvasena and Queen Vamadevi of Benares (now Varanasi). He belonged to the Ikshvaku dynasty. Before he was born, Jain texts state he was ruling as a god Indra in the 13th heaven of Jain cosmology. While he was in the womb of his mother, gods came from heavens and performed the garbha-kalyana (enlivening the fetus). His mother dreamt fourteen auspicious dreams, an indicator in the Jain tradition that a Tirthankara was about to be born. When he was reborn in the world of men, state the Jain texts, the thrones of all the Indras trembled in different heavens. They descended to the earth to celebrate his janma-kalyana (the auspiciousness of his birth).
Parshvanatha was born with blue-black skin color, grew up into a strong and handsome boy, playing with the gods of water, as well as the gods of hills and trees. At age eight, he began practicing the twelve basic vows of the adult Jain householder.[note 1]
Parshvanatha lived as a prince of Benaras (now Varanasi). According to Digambara school, Parshva never married, but the texts of the Shwetambara school preach that he married Prabhavati, the daughter of Prasenajit (King of Kusasthala).Heinrich Zimmer translated a Jain text as stating that sixteen-year-old Parshvanatha refused to marry when his father suggested he do so, and instead entered the practice of meditations perceiving that the "soul is its own only friend".
At the age of 30, on the 11th day of the moon in its bright cycle of the Pausha month (December/January), he renounced the world to become a monk. He meditated for 84 days before attaining Kevala Jnana under a Dhaataki tree near Benaras. As he performed his ascetism, state the Jain texts, lions and fawns played around him.[note 2]
On the 14th day of the moon in its waning cycle of the Chaitra month (March/April), Parshvanatha gained omniscience. The gods built a samavasarana, or a teaching hall for him, so that he could share his knowledge with his followers.
After preaching for 70 years, he died at the age of 100. His death is traditionally called by Jains as Moksha or separation of soul from cycles of rebirths. He died atop Shikharji.[note 3] This mountainous area is known contemporaneously as the Parasnath Hills in northern Jharkhand. Parshvanatha has been referred by Jains as puris?dya ('beloved of the people').
The Jain mythologies present the legends of previous lives of Parshvanatha, his rebirths as human or animal with different names, the maturing of his soul towards inner harmony, in a manner similar to those found in other Indian religions.[note 4] A few illustrative prior rebirths of Parshvanatha include:
The dead Agnivega was reborn, states Zimmer, as a god with a life of "twenty two oceans of years", while the serpent went to the sixth hell. Ultimately, the soul of Marubhuti-Vajraghosa-Sasiprabha-Agnivega was once again born as Parshvanatha. In this life, he saved serpents from torture and death, and the serpent god Dharnendra and goddess Padmavati thereafter protected him, ever-present in his iconography.
Jain texts give different inconsistent accounts of the disciples of Parshvanatha. According to the Kalpa S?tra, a ?v?t?mbara text, Parshvanatha had 164,000 ?r?vakas (male lay followers) and 327,000 ?r?vik?s (female lay followers) and 16,000 s?dhus (monks) and 38,000 s?dhv?s (nuns). According to Svetambara tradition, he had eight ganadharas (chief monks)ubhadatta, ?ryagho?a, Vasiha, Brahmac?ri, Soma, ?r?dhara, V?rabhadra and Ya?as. After his death, the Svetambara believe that ganadhara ?ubhadatta became the head of the monastic order. He was then succeeded by Haridatta, ?ryasamudra and Ke.
Digambara tradition, in contrast, states that Parshvanatha had 10 ganadharas, such as in the Digambara text Avasyaka niryukti. They believe that Svayambhu was the chief male mendicant (sadhu). Svetambara texts such as Samavayanga and Kalpa-sutra mention Pushpakula as the chief female mendicant (aryika, sadhvi) among the female followers of Parshvanatha, whereas the Digambara text Tiloyapannati states she was Suloka or Sulocana.
The Nirgranthas (fetter-less) monastic tradition started by Parshvanatha was influential in ancient India, with the parents of Mahavira belonging to it as lay householders supporting the ascetics.
According to the Svetambara Jain tradition, Parsva and the ascetic community he established followed a Fourfold Restraint. In contrast, Mahavira stipulated five Great Vows as a mode of ascetic initiation. This difference, and why the difference, has been often discussed in Svetambara Jain texts. For example, the Uttardhyayana Sutra, a Svetambara canonical text, presents Kesin as a follower of Parsva and Gautama as a disciple of Mahavira, discussing which is the true doctrine: the Fourfold Restraint or the five Great Vows. Gautama states that there are outward differences, according to Dundas, and these differences are "because the moral and intellectual capabilities of the followers of the ford-makers have differed". According to Wendy Doniger, Parshvanatha allowed monks to wear clothes, while Mahavira recommended giving up even clothes and practicing ascetic life in nudity - a practice that has been one of several differences between Digambara and Svetambara traditions of Jainism.
According to the ?v?t?mbara texts, the four restraints of Parshvanatha were Ahimsa, Aparigraha, Achaurya and Satya. The ancient Buddhist canonical texts, such as Samaññaphala Sutta that mention Jain ideas and Nigantha Nataputta (Mahavira), also only state four restraints rather than the five vows found in later texts of Jainism. This has led scholars such as Hermann Jacobi to state that at the time the Mahavira and the Buddha met, the Buddhists knew of only four restraints in the Parshva tradition called caujjama dhamma. Further scholarship, states Dundas, suggests a more complex uncertain situation, because some of the earliest Jain literature such as section 1.8.1 of Acaranga Sutra connects Mahavira with just three restraints (non-violence, non-lying, non-possession).
The "less than Five vows" view in Svetambara canonical texts is however not accepted by the Digambaras, a tradition whose canonical texts have been long lost and who do not accept Svetambara Jain texts as canonical to Digambara tradition. Digambara do have a vast literature dated to later centuries, which explains their disagreement with the Svetambara interpretations. Prafulla Modi, for example, rejects the theory of difference in Parshvanatha and Mahavira's teachings.Champat Rai Jain states that Svetambara texts also insist on celibacy (sexual abstinence) for their monks, which is the fifth vow in Mahavira's teachings, and therefore there must not have been a difference in the teachings of Parshvanatha and Mahavira.
According to Padmanabh Jaini, the Digambaras interpret the "fourfold" part contextually as referring "not to four specific vows" but "four modalities" which was properly elaborated by Mahavira into five vows. Western and in part some Indian scholarship, states Jaini, "has been essentially Svetambara scholarship" and has largely ignored Digambara literature related to this controversy about Parshvanatha and Mahavira teachings. According to Dundas, the medieval era Jain literature such as by the 9th-century Silanka suggests that the practice of "not using another's property without their explicit permission" and "celibacy" were interpreted as a part of "non-possession".
Parshvanatha is a popular tirthankar in Jainism who attracts devotional worship (bhakti), along with Adinatha, Shantinatha, Neminatha and Mahavira. Parshvanatha is believed to have the power to remove obstacles and save.
Parshvanatha is usually depicted in Lotus position or Kayotsarga posture. Statues and paintings of Parshvanatha show his head shielded by a multi-headed serpent fanned like an umbrella. The snake emblem of Parshvanatha is also found carved or stamped below his legs as an icon identifier. His iconography is usually accompanied by Dharnendra and Padmavati, the snake god and goddess of Jainism.
The serpent hood iconography is not unique to Parshvanatha. It is also found above the icons of the 7th of 24 Tirthankaras named Suparshvanatha, but with a minor difference. The serpent hood above Suparshvanatha features five heads, while a seven- or more headed serpent is found in Parshvanatha icons. The statues of both Tirthankaras with serpent hoods have been found in different parts of India, such as Uttar Pradesh and Tamil Nadu, and these are dated to between 5th and 10th-century CE.
Archeological sites and medieval era Parshvantha iconography found in temples and Jain cave arts include scenes and Yaksha. The Digambara and Svetambara traditions show differences in their historic icons. For example, Svetambara artworks show Parshvanatha with both serpent hood and a Ganesha-like Yaksha, while Digambara artworks show him with serpent hood and Dhranendra, but no Ganesha-like deity. According to Umakant Premanand Shah, such a display of Hindu gods such as Ganesha as Yaksha, and Indra as serving Parshvanatha were a way to assign them to a subordinate position.
2nd-century CE, Uttar Pradesh
6th century, Uttar Pradesh
10th century, LACMA
8th century, Östasiatiska museet
11th century, Maharaja Chhatrasal Museum
8th century, Ethnological Museum of Berlin
10th century, Asian Civilisations Museum
12th century, Art Institute of Chicago
Jain chaubisi of Parshavanatha, Norton Simon Museum
31 feet Parshvanatha Vahelna Statue
18 feet idol of Parsvanatha in Parsvanatha Basadi at Shravanabelgola
18 feet (5.5 m) sculpture of Parshvanatha in the Parshvanatha basadi at Halebidu
17.5 feet statue of Parshavanatha at Naugaza Digambar Jain Temple, Alwar, Rajasthan