Theatrical release poster
|Directed by||Howard Zieff|
|Produced by||Nancy Meyers
|Written by||Nancy Meyers
|Music by||Bill Conti
Barry De Vorzon
|Cinematography||David M. Walsh|
|Edited by||Sheldon Kahn|
|Distributed by||Warner Bros.|
Private Benjamin is a 1980 American comedy film starring Goldie Hawn. The film was one of the biggest box office hits of 1980, and also spawned a short-lived television series. The film is ranked 82 on the American Film Institute's "100 Funniest Movies" poll, and 59 on Bravo's "100 Funniest Movies".
Judy Benjamin (Goldie Hawn), a 28-year-old from a sheltered wealthy upbringing whose lifelong dream is to "marry a professional man," joins the U.S. Army after Yale Goodman, her new husband (Albert Brooks), dies on their wedding night during sex. Adrift, Benjamin meets an Army recruiter, 1SGT James Ballard (Harry Dean Stanton), who leads her to believe military life will provide the "family" she seeks. He also tells her that the service is glamorous, comparing it to a spa vacation. She has a rude awakening upon arriving in boot camp. Judy wants to quit almost immediately, and is astonished to learn that she cannot, contrary to the assertions of her recruiting sergeant.
Army regulations and the continuing disapproval of both Captain Doreen Lewis (Eileen Brennan) and SGT L. C. Ross (Hal Williams), her drill instructor, frustrate her, but when Judy's parents "Teddie" (Sam Wanamaker) and Harriet (Barbara Barrie) arrive at Fort Biloxi to take her home, she decides to stay and finish basic training, which she does with distinction after a wargames exercise. Upon completion of basic training, Judy meets Henri Tremont (Armand Assante), a French doctor, who is in Biloxi for a medical conference. They separate after a brief romance; Henri returns to Paris, and Judy enters training for the Thornbirds, an elite paratrooper unit, after basic training.
She quickly finds that she was chosen for paratrooper training because the unit's commander finds her attractive; he attempts to sexually assault her. When she refuses to comply, he attempts to have her transferred as far away from Biloxi as possible. Rather than accept what she sees as an undesirable post in Greenland or Guam, she negotiates an assignment to SHAPE in Belgium, and meets up with Henri again on a visit to Paris. He proposes marriage and she accepts, but when Capt. Lewis discovers that Tremont is a communist, Judy is forced to choose either her Army career or love.
After she chooses Henri and gets engaged, Judy discovers Henri's controlling side. He tries to "remake" her, and also forces her to sign a prenuptial agreement in his favor. Then, when she finds out Henri is still in love with his ex-girlfriend Clare, and has cheated on her with their maid, she realizes that she is capable of doing whatever she wants, and that she does not need Henri in her life. In the final scene, just as Judy is about to get married again, she walks out on Henri at the altar to go and live her own life.
The film is recognized by American Film Institute in these lists:
In 1981, Private Benjamin was made into an Emmy and Golden Globe-winning television series of the same name that ran from 1981 to 1983. It starred Lorna Patterson, Eileen Brennan, Hal Williams, Lisa Raggio, Wendie Jo Sperber and Joel Brooks. Brennan and Williams reprised their roles, those of Captain Doreen Lewis and Sergeant L. C. Ross respectively, from the film for the television series.
In March of 2010, Anna Faris was originally cast to portray Judy Benjamin in a remake of Private Benjamin from New Line Cinema, but in May of 2014, it was confirmed that Rebel Wilson would portray Benjamin in the remake. Amy Talkington was in talks to write the script, which was to update both the story and the screenplay on which Harvey Miller, Nancy Meyers, and Charles Shyer had initially written in collaboration, and Mark Gordon was set to produce.
The new take Talkington was in talks to adapt would re-set Miller's, Meyers's, and Shyer's story in contemporary times, with modern wars as the backdrop. Insiders said that the studio wanted neither to poke fun at the people in the service nor take political potshots, but instead sought to focus on the empowerment elements and to build on the fish-out-of-water comedy. But as of the beginning of August of 2017, no new word was available on the project.