|St. Mark's Church|
|Affiliation||Serbian Orthodox Church|
|Architect(s)||Petar and Branko Krsti?|
St. Mark's Church or Church of St. Mark (Serbian: /Crkva Svetog Marka) is a Serbian Orthodox church located in the Ta?majdan park in Belgrade, Serbia, near the Parliament of Serbia. It was built in the Serbo-Byzantine style by the Krsti? brothers, completed in 1940, on the site of a previous church dating to 1835. It is one of the largest churches in the country. There is a small Russian church next to St. Mark's.
The church, dedicated to Holy Apostle and Evangelist Mark, was built in the Interwar period between 1931 and 1940 in the Ta?majdan Park, in the centre of Belgrade. It was built slightly north of a wooden 19th-century church that was destroyed in 1941.
The original, wooden church, was built in 1835-36, in the days of Belgrade Metropolitan Petar Jovanovi? (s. 1833-1859). The main donor was merchant Lazar Pan?a (d. 1831). Dedicated to St. Mark, it was built within an existing cemetery. It was a rectangular building whose exterior surface area was 11.5 by 21 m and whose interior was 7.75 by 17.46 m. At the same time Prince Milo? Obrenovi?, who was also a donor to this church, built the palatial church of the Holy Apostles Peter and Paul in Top?ider (completed in 1834). Work on both churches was supervised by architect Nikola ?ivkovi? (1792-1870). In 1838, Prince Milo?'s eldest son Prince Milan and bishop Gavrilo Popovi? of ?abac were buried directly by the church. After the May Coup, the royal couple, King Alexander Obrenovi? I and Queen Draga Obrenovi?, were buried in this church. In ca. 1870, the church was the parish seat of Terazije with 312 homes and Palilula with 318 homes. It was destroyed during World War I by Austrian troops, then reconstructed in 1917. It was badly damaged in the 1941 German bombing of Belgrade and the rubble was cleared in 1942.
Due to the rapid growth of the city and population increase, it became necessary in the beginning of the 20th century to build a larger church in the Belgrade quarter of Palilula. Frequent wars did not allow this until 1930 when a pair of Belgrade architects, the brothers Petar and Branko Krsti?, both professors of the University of Belgrade Faculty of Architecture, designed the plans for the new St. Mark's Church. The present building of St. Mark's Church was built according to their drawings between 1931 and 1940. The eruption of World War II interrupted the full completion of the church. Only the construction work was finished. Divine service took place in the new church during the war in 1941 and after it until November 14, 1948 in the adapted narthex of the church. On that date the church was consecrated (by Serbian Patriarch Gavrilo V) and the church opened for divine service. There were plans to decorate the whole interior with frescoes. The external walls are in two colors of natural materials in the Serbo-Byzantine style. The church bell tower is a part of the church itself on the west side.
Due to the already urbanized area around it, the construction couldn't follow the strict church canon concerning the east-west position. In order to fit into the existing city grid, Serbian Patriarch Varnava gave a special permit for the new church to deviate for 10 degrees from the canonical rule. That way, the main entrance came in line with the Resavska Street, across it.
The Gra?anica Monastery was used as a model for the new church. Until the Church of Saint Sava surpassed it, St.Mark's Church was the largest Serbian church. It is considered one of the most beautiful edifices of the sacral architecture in the Serbo-Byzantine Revival style.
The interiors of the church cover 1,150 m2 (12,400 sq ft). The naos can receive 2,000 people and the choir gallery can accommodate 150 musicians. The church is 62 m (203 ft) long, 45 m (148 ft) wide and 60 m (200 ft) high, excluding the cross.
In November 2017 a complete rearrangement of the plateau, which functioned as an extension of the Ta?majdan Park in front of the church, began. Old asphalt pavement which served as a parking lot was removed. Architect Jovan Mitrovi? designed a new, leveled combination of granite slabs and green areas. The pleateau will be divided in two sections, left and right, divided by the green island. The right, "ceremonial" side will be regularly shaped, with the granite slabs posted in the horizontal rhythm, interrupted with the thin squares of red Italian granite. The design is patterned after the façade of the Michelangelo's temples on Capitoline Hill in Rome. The idea is to visually expand the church. The left side will have "disheveled" pattern, made of differently sized and combined granite slabs. The plateau was finished in February 2018.
St. Mark's Church is 62 meters long and 45 meters wide, and the height of the main cupola to the base of the cross is 60 meters. The usable interior surface area of the church is about 1,150 square meters, and the naos (nave) of the church can accommodate over 150 singers. It has already been said that more than seventy years after the beginning of its construction, St. Mark's Church has not been completed. This relates primarily to its interior, decorating, fresco painting, appropriate lighting, acoustics, heating and ventilation. After World War II little was done in the church itself for objective reasons. Above the entrance door to the church on the external façade is an icon in mosaic of the Holy Apostle and Evangelist Mark, the work of Veljko Stanojevi? in 1961. The floor in the church is from 1974, while the floor of the soleia (area in front of the iconostasis and the altar (sanctuary) was done in marble in 1991. The iconostasis of the church, designed by architect and professor Zoran Petrovi?, dates back to 1991-92 and was done in marble, while the icons in it are done in mosaic, the work of academic painter ?uro Radulovi? from Belgrade from 1996-98. The altar table is also in marble with smaller mosaics on the front side. To the right of the altar is a smaller altar dedicated to the Holy Despot Stefan Lazarevi? (d. 1427), and the altar on the north side is dedicated to the feast day of the Transfiguration of the Lord. As one enters the church on the right side along the south wall of the church is the marble tomb of Emperor Stefan Du?an (r. 1331-55) designed by Dr. Dragomir Tadi? where his holy relics rest after being transferred from his endowment, Monastery of the Holy Archangels near Prizren, a monastery that has lain in ruins for centuries. On the opposite, north side the tomb of Serbian Patriarch German (d. 1991) has been built in the same style and of the same material. In the middle of the church underneath the central cupola is apolielei done in copper according to the design of Dragomir Tadi? in 1969, and executed by academic sculptor Dragutin Petrovi?.
Below the narthex of the church is the crypt which was adapted during 2007. It is installed new ground marble, climatisation and ventilation, sound system and graves ware readopted. In it are several tombs transferred from the original church: Metropolitan Teodosije (1815-1892), Bishop Viktor of Ni? Viktor (1797-1888), Bishop Gavrilo (Popovi?, 1811-1871) of ?abac, and Bishop Mojsije of Timok (1835-1896). Also interred here are King Alexander Obrenovi? and Queen Draga (+1903), Ana Jovana Obrenovi? (+1880), Princes Milan M. Obrenovi? (1819-1839) and Sergije M. Obrenovi? (+ 1878), and the grave of the patron endower of the old church, Lazar Pan?a. Generally speaking, the entire space of the very large crypt is little used and suitable for a gallery, museum or display area. The church treasury is presently located in a room on the south side and contains a rich collection of icons and precious artifacts. The most valuable icons are Theotokos with Christ from the 16th century; Jesus Christ on the Throne, an icon from the end of the 18th century; St. Nicholas on the Throne, Holy Emperor Constantine and Empress Helen, an icon from the first half of the 19th century; St. Demetrios and St. George, an icon from 1849; Theotokos with the Saints, an icon from the first half of the 19th century; St. George and St. Demetrios, an icon from the mid-19th century; Crowning of the Most Holy Theotokos, an icon from the mid-19th century; Holy Emperor Constantine and Empress Helen (Exaltation of the Honorable Cross), an icon from the mid-19th century; Theotokos with Christ, the Holy Prophet Daniel and St. John the Baptist, an icon from 1863; Theotokos ofArabia, an icon from 1872; St. Sava of Serbia, an icon from 1870; Holy King Stefan of De?ani, an icon from 1883; Holy Apostle and Evangelist Mark, an icon from the end of the 19th century; Holy Archangel Michael, an icon from 1889; the Pilgrims' icon (the Theotokos, Jesus Christ, the apostles, the Final Judgment), an icon from the end of the 19th century; St. George Killing the Dragon, an icon from 1926; and many other icons. The icons are primarily the work of eminent painters and icon painters of the 19th and 20th centuries: Steva Todorovi?, Nikola Markovi?, Dimitrije Posnikovi?, Vladimir Vojnovi?, Pavle ?ortanovi?, Lukijan Bibi?, Vasa Pomori?ac, ?or?e Popovi?, Olga Krd?ali? and others.
|"||In the name of the Father, the Son and the Holy Spirit, we do hereby consecrate the cornerstone of this church of God dedicated to the Holy Apostle and Evangelist Mark in the Capital of Yugoslavia, the Royal City of Belgrade, next to the old St. Mark's Church, on the church patronal feast, April 25 (May 8 according to the new calendar) in the year 7439 since creation and the year 1931 since the Incarnation of our Lord during the joyous reign of His Majesty King Alexander Kara?or?evi? I of Yugoslavia, and the Head of the Serbian Orthodox Church, His Holiness Serbian Patriarch Varnava, who executed this holy act of consecration. -- founding charter||"|